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Stereotypes of Native Americans: Essays & Images
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Imagery & Stereotyping Explained
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How some people try to distance themselves from these images
Native Americans in Popular American Music
Part 1: Sheet Music History, the Indian Intermezzo, and other Early Noble Savage Songs
Sheet Music History
Before the invention of recording technology, and for about three decades thereafter, songs were popularized through the publication and distribution of sheet music. In the United States, beginning about 1885, the sheet music industry was centered in an area of Manhattan that came to be known as "Tin Pan Ally," possibly because of the cacophony of sound that would emanate from the various piano parlors throughout the neighborhood. Tin Pan Alley was originally a specific place, West 28th Street between Broadway and Sixth Avenue. To be able to hear the music, it had to be played by the consumer, usually on the piano, and accompanied by a vocalist. The photograph to the right was taken in 1898 and depicts such a scene. It seems logical to assume that the ability to read and play music was for more prevalent then than it is today. Sheet music was enormously popular in the early Twentieth Century. It was often loaned to family and friends, as evidenced by the practice of the owner writing his name on the cover. Around the end of the Nineteenth Century, sheet music began to use artwork on the front covers of their publications, greatly increasing the appeal and collectibility of the product. The commercial availability of recorded music began in the late Nineteenth Century in the form of cylinders, and then with one-sided flat discs that spun at speeds of 78 revolutions per minute or more. The popularity of these recordings would eventually bring about the decline and fall of the sheet music empire, but not until the 1940s.
Mother Playing Sheet Music & Daughter Singing (1898)
 
The Indian Intermezzo, Instrumentals and other Early Noble Savage Songs
In the search for suitable subject matter, writers in Tin Pan Alley created a genre of music called the Indian Intermezzo. These instrumental works were written as interludes between larger pieces of music that made up a musical score for an opera or play. Accompanied by beautiful sheet music cover artwork, these Indian Intermezzos and other stand-alone instrumental pieces embraced the noble savage stereotype, especially the Indian Princess, and further romanticized the American wilderness that has only recently become part of American history. The Native American, in his natural, unspoiled habitat, was as much a part of the mythic American past as the virgin forests and the vast expanses of the Great Plains.
lyrics = lyrics
sound = sound
Little Injun Brave (c.1898)
Little Injun Brave (c.1898)
Hiawatha (1902)
Hiawatha (1902)
Falling Star (1903)
Falling Star (1903)
Laughing Water (1903)
Laughing Water (1903)
Laughing Water (1903)
Laughing Water (1903)sound
Navajo (1903)
Navajo (1903)lyricssound
My Indian Maiden (1904)
My Indian Maiden (1904)
Silverheels (1905)
Silverheels (1905)sound
Fleetfoot (1906)
Fleetfoot (1906)
Flying Arrow (1906)
Flying Arrow (1906)sound
Iola (1906)
Iola (1906)sound
Rainbow (Indian Intermezzo) (1908)
Rainbow (Indian Intermezzo) (1908)sound
Sun Bird (Indian Intermezzo) (1909)
Sun Bird (Indian Intermezzo) (1908)
Singing Bird (1909)
Singing Bird (1909)
Red Man (1909)
Red Man (1909)
Wyandotte (1909)
Wyandotte (1909)
Dancing Starlight (1910)
Dancing Starlight (1910)
Wan-A-Tea (1910)
Wan-A-Tea (1910)
Cloud-Chief (1910)
Cloud-Chief (1910)sound
Golden Deer (1911)
Golden Deer (1911)
Hobomoko (1911)
Hobomoko (1911)sound
Indian Girl (1911)
Indian Girl (1911)
Aisha (Indian Intermezzo) (1913)
Aisha (Indian Intermezzo) (1913)sound
Hiawatha (1921)
Hiawatha (1921)sound
Seminola (1925)
Seminola (1925)
 
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Last modified May 24, 2008
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